OEDIPUS THE KING is an eye-popping tragedy
SALT LAKE CITY — At the end of Westminster College’s production of Oedipus the King, a chorus of nine actors sang the haunting words, “Call no man happy until that…
Utah's Source for Theatre Journalism
SALT LAKE CITY — At the end of Westminster College’s production of Oedipus the King, a chorus of nine actors sang the haunting words, “Call no man happy until that…
MAGNA — One of the best traits of children is their imagination; the make believe games of young children embody their creativity and innocence. That is why I think Alice…
SANDY — Like the other recently popular musical set in the 1920’s, The Drowsy Chaperone, the script of Thoroughly Modern Millie (written by Richard Morris and Dick Scanlan) makes light…
SOUTH SALT LAKE — Indians creeping around, cowboys drawing guns, and a grizzled prospector who stinks to high heaven. These sights from the Old West are on the stage at…
SOUTH SALT LAKE — The marketing slogan for the Utah Children’s Theatre states that their Shakespeare festival is “. . . for kids and adults with short attention spans,” and…
SHEPHERDSTOWN, WEST VIRGINIA — Given the number of world premieres that UTBA has reviewed, it’s clear that Utah audiences have an appetite for new plays. So, when the American Theater…
OREM — It would probably be impossible to create a better opening scene of SCERA’s production of The Sound of Music. As Chelsea Hendrickson sang the opening notes of the…
CEDAR CITY — Part of the Utah Shakespeare Festival experience is the nightly performance of The Greenshow. This free performance uses music, dance, and comedy to bring the spirit of…
CEDAR CITY — “Might makes right.” This old adage has illustrated that often the person with the strongest army becomes a leader by virtue of the physical force at his…
CEDAR CITY — Every year at the Utah Shakespeare Festival countless chairs, clocks, thrones, tables, sofas, and other items appear on the stage. And all those props have to come…