Hale Centre Theatre’s TREASURE ISLAND is full of high adventure
SANDY — Treasure Island is a timeless tale of pirates and treachery, told first by Robert Louis Stevenson in his…
THE MERCHANT OF VENICE goes Gucci
SALT LAKE CITY — One of Shakespeare’s comedies written at the end of sixteenth century, The Merchant of Venice follows…
SONDERimmersive’s THE CHOCOLATIER is only semi-sweet
SALT LAKE CITY — Created by Graham Brown and company, The Chocolatier is “an immersive, dance-theatre experience” set in a…
LETTERS TO MY MOM is powerfully written and acted
SALT LAKE CITY — Letters to My Mom is a moving and raw message from daughter to mother that blatantly…
Pink Neon’s SPRING AWAKENING is a streaming success
SOUTH JORDAN — It is likely no secret that I love shows like Spring Awakening, contemporary rock musicals that often feature…
HCT’S LES MISERABLES reminds us that in time “the sun will rise”
SANDY — What is there to say about Les Misérables that has not already been said? For starters (according to…
A CALL TO SERVE: CONFESSIONS OF A MORMON HITMAN is eerie religious sci-fi
SALT LAKE CITY — The Great Salt Lake Fringe Festival in Utah is special because it often showcases the most…
GOOD STANDING is a compelling look at religion and sexuality
SALT LAKE CITY — The Great Salt Lake Fringe Festival is always an exciting time for the Utah theatre community,…
Parker Theatre’s CINDERELLA is a brief, enjoyable outing
SOUTH SALT LAKE CITY — Bravely daring the stifling atmosphere of Covid-19 (the possibly-deadly-but-maybe-not-depending-on-many-factors virus), the Parker Theater has worked…
THE AUDACITY is a salve to a wounded soul
SALT LAKE CITY — The Audacity is a one-woman play written by Jenifer Nii and starring April Fossen. It was…