HCTO’s EMMA, a charming tempest in a teapot
OREM — Hale Center Theater Orem’s production of a musical adaptation of Jane Austen’s Emma (music, lyrics, and book by Tony Award nominee Paul Gordon) feels like the theatrical equivalent…
Utah's Source for Theatre Journalism
OREM — Hale Center Theater Orem’s production of a musical adaptation of Jane Austen’s Emma (music, lyrics, and book by Tony Award nominee Paul Gordon) feels like the theatrical equivalent…
SALT LAKE CITY — “What have you lost in the last year?” I was asked this question by groundbreaking war correspondent Martha Gellhorn when I entered CytyByrd Cafe for the…
PERRY — I am so sick of hearing about our “unprecedented times.” Things have certainly changed over the last year, I’m not denying any of that, but I find myself…
CENTERVILLE — In March of 2020, the Utah theater community, along with the rest of the world, was forced to shut down at a moment’s notice. Among some of these…
SALT LAKE CITY — How do you balance artistic ideals with community standards? When is a lesson plan an attack on a family’s values? These questions get raised in Plan-B…
SANDY — Let’s just get to the point. Kelly Coombs’s lead performance in Hale Centre Theatre’s Daddy Long Legs is towering. One of the best I’ve seen in a long…
SOUTH JORDAN — It is likely no secret that I love shows like Spring Awakening, contemporary rock musicals that often feature themes of family drama, teenage angst, sexual repression, and…
SALT LAKE CITY — Through Yonder Window, the newest project produced by SONDERImmersive in Salt Lake City, is an interactive theatrical experience developed with Covid-19 in mind. With artistic direction…
SALT LAKE CITY — Pygmalion Productions’ newest offering, If This Wall Could Talk, is a 40-minute video that weaves together the stories of Utah women from both the past and…
OREM — SCERA’s production of Spamalot is so side splitting that describing it exhausts the English language’s supply of words that mean “funny.” Even the best thesaurus is inadequate to…