IN THE NEXT ROOM, OR THE VIBRATOR PLAY is electric!
SALT LAKE CITY — Even the title of In the Next Room or, The Vibrator Play gives us a hint that while you can expect to see a show about…
GREECE IS THE WORD is quirky, goofy, silly fun
SALT LAKE CITY — From the moment “K’nicklaus”(aka Clarence Strohn) took the stage to introduce the show and welcome the audience to Greece is the Word at The Off Broadway…
Outdoor OTHELLO meets expectations
PROVO — I don’t consider myself a theater snob. I strive to remain very open minded and accepting of the performances that I am able to take in; particularly if…
WAITING features a peek at the hereafter
OREM — Ethan Coen is best known, along with his brother Joel, as part of the film making team the Coen Brothers. Recognized for their absurd situations, quirky humor, and…
BLITHE SPIRIT is a riotous haunt
MAGNA — There are a few plays that are must-sees in my book. Noel Coward’s Blithe Spirit ranks fairly high in this list. It is one of his wittiest farces…
MAN OF LA MANCHA is captivating at Pioneer Theatre Company
SALT LAKE CITY — Dale Wasserman (book), Mitch Leigh (music), and Joe Darion (lyrics) were not the first by a writing team to bring the tale of Don Quixote to…
Little pumpkins agree: CINDERELLA is magical
SOUTH SALT LAKE CITY — Watching The Children’s Theatre’s Cinderella and the Glass Slipper wasn’t all that new or life-changing, but in this case, that wasn’t the point. This wasn’t…
XANADU is a Grand creative experience
SALT LAKE CITY — Based on a failed movie with a great soundtrack, the stage production of Xanadu offers a simple plot with plenty of humor and production numbers around…
Let THE TAMING OF THE SHREW woo you, too
DRAPER — By far the most popular playwright in Utah—and likely many other parts of the world—is William Shakespeare. A quick perusal of the UTBA archives shows that this is…
Don’t miss BETRAYAL in Midvale
MIDVALE — Harold Pinter is considered one of the most influential playwrights of modern British Theater; Betrayal is one of his best known plays. Written in 1978, Pinter himself adapted…