Get in the groove of MOTOWN THE MUSICAL
SALT LAKE CITY — Utah is a desert. At times it feels like that stigma goes far beyond our weather and water levels, to the very heart of leisure itself.…
Utah's Source for Theatre Journalism
SALT LAKE CITY — Utah is a desert. At times it feels like that stigma goes far beyond our weather and water levels, to the very heart of leisure itself.…
CEDAR HILLS — On a evening before the first days of summer under absolutely perfect weather conditions I had the fortune of sitting on a gently sloping grassy hillside and…
PROVO — On a weekend dominated by GDP-sized big budget films filled with superheroes and world domination, the Covey Center fights back with the most powerful agents they could find:…
OREM — Man of La Mancha is, as far as I can tell, a musical that rarely graces the stages of our state. Perhaps this is because the margin of…
PROVO — According to director George D. Nelson, the goal of the Microburst Theatre Festival, which played in BYU’s Nelke Experiment Theater Oct 23 – 26, was to teach his…
OREM — Trying to strike the proper balance of honoring the original text and spirit of a decades old musical while keeping it fresh, interesting and relevant is a task…
OREM — When I went on Friday to see . . . Wait, what’s that Sweetheart? Friday is our 10-year anniversary? Oh, . . . ok. When I went on…
PROVO — I don’t consider myself a theater snob. I strive to remain very open minded and accepting of the performances that I am able to take in; particularly if…
PROVO — Henrik Ibsen confronted us with a very raw and central question when he penned Little Eyolf: how does one strike a balance between being a parent and being…
SPRINGVILLE — Throughout the annals of literature, there have been few texts more influential than Charles Dickens’ immortal classic, A Christmas Carol. Originally published in the Christmas season of 1843,…