FIDDLER ON THE ROOF: Traditions in motion
OREM — Trying to strike the proper balance of honoring the original text and spirit of a decades old musical while keeping it fresh, interesting and relevant is a task…
Utah's Source for Theatre Journalism
OREM — Trying to strike the proper balance of honoring the original text and spirit of a decades old musical while keeping it fresh, interesting and relevant is a task…
OREM — The success of jukebox musicals—a musical that is constructed around the songs of one particular beloved artist or group—hinges on one potential accomplishment: the ability of the much-loved…
Here they are! The first photos we’ve gathered from Instagr.am using the #utahtheatre tag. We’re going to do this once a week, so feel free to submit your photos by…
OREM — When I went on Friday to see . . . Wait, what’s that Sweetheart? Friday is our 10-year anniversary? Oh, . . . ok. When I went on…
OREM — In February, I praised community theatre in a UTBA blog post, and Disney’s My Son Pinocchio at SCERA Center for the Arts reaffirmed my love for these productions…
OREM — Bye Bye Birdie was one of the first pieces of musical theatre that I was ever introduced to. My mother was in a production of Bye, Bye, Birdie…
OREM — Tremendously Tall Tales (directed by Robinne Booth) is a show designed for young audiences. It runs about an hour without an intermission, and tells the tall tales of…
OREM — Now that Thanksgiving has passed, the season for Christmas plays and musicals is upon us. I did a little digging and found that you can go see A…
OREM — Even though they don’t realize it at the time, children live in a magical period in their lives. Children have few cares, no bills, and just a few…
OREM — If you’ve never been to an outdoor show at the SCERA, I will say two things right now. First, if you plan to go see their current offering,…