A “radiant” production of CHARLOTTE’S WEB
SOUTH SALT LAKE — I saw Charlotte’s Web with three of my delightful children, and they were nothing less than impressed. My six-year-old said, “It was great.” And my oldest,…
Utah's Source for Theatre Journalism
SOUTH SALT LAKE — I saw Charlotte’s Web with three of my delightful children, and they were nothing less than impressed. My six-year-old said, “It was great.” And my oldest,…
SALT LAKE CITY — The Hive Theatre Company’s production of Martin McDonagh’s A Behanding in Spokane was for me a study in dichotomy, addressing the question of how I could…
SALT LAKE CITY — Some of the most important stories are also the hardest stories to tell. The Face of Emmett Till is certainly one of those stories. And, thankfully,…
WEST VALLEY CITY — No Time For Sergeants, based on the 1954 novel by Mark Hyman, has been enduringly popular, having been adapted into a teleplay, a comic book series,…
SALT LAKE CITY — You know the feeling of landing at the airport in your home state on Christmas Eve. It’s like there’s gingerbread in the air. You feel like…
SALT LAKE CITY — It is rare that a production comes together so flawlessly, where all elements work so in sync that the end result is breathtaking. Such was my…
SALT LAKE CITY — Theatre can be magic, but it usually is not. Although I enjoy most of the plays I see, the majority of evenings that I spend in…
MURRAY — It was 1985 when Les Misérables first hit the big stage, smashing records from the West End to Broadway and culminating in a star-studded film adaptation last December.…
SALT LAKE CITY — I’ll be honest; polygamy is not a topic I like to bring up in conversation. It is, however, crucially linked to the formation of our state,…
MAGNA — If laughter is the best medicine, Cole Porter’s Anything Goes should be widely prescribed. Though the Empress Theatre’s production of the musical is anything but perfect, one thing…