Doors, Sardines, and Sheer Delight at PTC’s NOISES OFF
SALT LAKE CITY — One of my favorite things about theatre is its fluidity. Unlike film, which lives on in its exact state forever, each new stage production breathes a…
Utah's Source for Theatre Journalism
SALT LAKE CITY — One of my favorite things about theatre is its fluidity. Unlike film, which lives on in its exact state forever, each new stage production breathes a…
CEDAR CITY — It was the year 2000 when the Utah Shakespeare Festival was awarded a Tony for outstanding work as a regional theatre. About that same time lyricist and…
CEDAR CITY — Whether it was a high school production of Oklahoma! or your church’s last Christmas pageant, it is a truth universally acknowledged that bad community theatre, like death,…
SAINT GEORGE—For a story so well known and much beloved, one cannot help but feel as though they are experiencing the journey of Charles Dickens’ A Christmas Carol for the…
ST. GEORGE — They say young love takes people’s feelings from the highest of highs to the lowest of lows, and no story seems to illustrate that more blatantly than…
With the end of the year upon us, it is time for one of UTBA’s greatest traditions: the annual post where our reviewers commend the Utah theatre community’s excellent work…
CEDAR CITY — Ragtime is one of the greatest American musicals. And the production of Ragtime currently on stage at the Utah Shakespeare Festival must rank among this masterpiece’s greatest…
CEDAR CITY — The Pirates of Penzance is a victim of its popularity. With its creators long dead and the play in the public domain, it is often an economical…
SALT LAKE CITY — During a pivotal scene in the second act of Elf: The Musical, Buddy—a human raised by elves at the North Pole—finds his girlfriend Jovie, after she…
CEDAR CITY — One line from the title character encapsulates Richard II at the Utah Shakespeare Festival: “Now mark me how I will undo myself.” As the play unfolds, the…