Doors, Sardines, and Sheer Delight at PTC’s NOISES OFF
SALT LAKE CITY — One of my favorite things about theatre is its fluidity. Unlike film, which lives on in its exact state forever, each new stage production breathes a…
SALT LAKE CITY — One of my favorite things about theatre is its fluidity. Unlike film, which lives on in its exact state forever, each new stage production breathes a…
LOGAN — Tucked away in a building that improbably shares parking with a Smith’s in Logan, the Utah State University Opera Theatre has staged one of the most memorable nights…
OGDEN — In 1959, the Civil Rights Movement in Alabama—and across the rest of the Deep South—was gaining momentum. Brown v. Board of Education had determined in 1954 that separate…
LOGAN — One of my favorite aspects of theatre as a storytelling medium is its innate ability to lean into abstract symbolism. While film is generally literal and “real” (even…
WASHINGTON TERRACE — The first show I have conscious memory of seeing was The Sound of Music at Beverly’s Terrace Plaza Playhouse (BTTP). My mother took me to the bathroom…
SALT LAKE CITY — A number of years ago, I had the opportunity to perform in a production of Noises Off. To date, it is one of the most difficult…
SALT LAKE CITY — Waitress might be one of the best musicals to never win Best New Musical at the Tony Awards. It was up against Hamilton, so it’s an…
SALT LAKE CITY — If my quick search of the UTBA archives is correct, the last time Utah audiences had the chance to see Bat Boy: The Musical was more…
OGDEN — Even with my advanced degree in theatre, prior to this last weekend I would have to admit that the majority of my Brigadoon-based knowledge was based in the…
SALT LAKE CITY — In high school, my friends loved movies like The Others, What Lies Beneath, and The Ring, while my overactive imagination was so sensitive to every jump…