A transcendent INTO THE WOODS at BYU
PROVO — I’m not going to bury the lede. I loved this show. I confess I love Sondheim—to an evangelical degree, even. So you might think I would be predisposed…
Utah's Source for Theatre Journalism
PROVO — I’m not going to bury the lede. I loved this show. I confess I love Sondheim—to an evangelical degree, even. So you might think I would be predisposed…
PROVO — For those who find the title of The Mill on the Floss strange, it is important to know that the center of the main character’s life is her…
PROVO — One of the oldest stories of high adventure, Jason and the Argonauts has a modern twist on stage as Argonautika plays this month at BYU. Fight scenes, monsters,…
PROVO — “Why do you run?” That is the persistent question at the heart of Chariots of Fire, the newest offering and United States premiere of the stage adaptation of…
PROVO — The Crucible by Arthur Miller is a contemporary theatre classic. On the surface The Crucible is a play about the Salem Witch Trials. Young, puritan girls accusing their…
PROVO — Depression is one of the most common psychiatric disorders in America, and it cruelly exacts its toll on millions of people every year. Chandra Lloyd’s new Happysadness is…
PROVO — I have to admit when I heard that Brigham Young University’s Young Company was producing William Shakespeare’s tragedy Macbeth to present to young audiences, I thought, “Really? Macbeth…?…
PROVO — When I was in college Mary Poppins was playing on Broadway. One of my college professors attended the production along with several other shows. After returning from his…
The social media consensus is that 2016 was a rough year for America. With a surplus of celebrity deaths and a chaotic presidential election, many people are ready to put…
PROVO — Oscar Wilde‘s fans in Utah have a new production of The Importance of Being Earnest that showcases why they love Wilde’s work. As an added bonus, BYU’s production…