Utah Opera’s, Fidelio, A Power House
I made up a saying decades ago: B.C.M.I.B. “Beethoven Can Make It Better!” And indeed he can. Utah Opera’s current offering is Beethoven’s only opera: Fidelio, first produced in 1805.…
Utah's Source for Theatre Journalism
I made up a saying decades ago: B.C.M.I.B. “Beethoven Can Make It Better!” And indeed he can. Utah Opera’s current offering is Beethoven’s only opera: Fidelio, first produced in 1805.…
PROVO — She Loves Me is one of the most charming musical comedies in the American Musical lexicon. Never heard of it? Maybe you’ll be familiar with the story if…
SALT LAKE CITY — The Shining, the first offering of Utah Opera’s 2025-2026 season is a psychological thriller (or some call it “horror”) that hopes to take its audience along…
SALT LAKE CITY — Mozart’s music is perfection with few pieces more emblematic of this than his 1786 opera The Marriage of Figaro. Mozart had an innate gift to write…
SANDY — Hello, Dolly! is not only a venerable workhorse in the American musical theatre canon, but it is nearly flawless in its dramatic structure. That is one reason the…
WEST VALLEY CITY — Into the Woods has become an iconic musical that has settled nicely into the canon of American musical theatre. The musical intertwines the plots of several…
SANDY — The Unsinkable Molly Brown has never been a great musical, even though it features words and lyrics written by Meredith Willson, creator of The Music Man, one of…
OREM — Enchanted April is a charming story based upon the 1922 novel by British writer Elizabeth von Arnim. The novel, in turn, was inspired by a month-long holiday von…
SUNDANCE — If you’re not in your 60s (or older, like the writer of this review), you may not know that Rodgers and Hammerstein’s Cinderella was NOT written for the…
LOGAN — She Loves Me is a rare gem in the American musical theatre. It is not as famous as the more popular “go to” musicals audiences see in Utah…