Script, set, and old ladies are strengths in ARSENIC AND OLD LACE
CENTERVILLE — Arsenic and Old Lace is one of those classic shows that has witty and crisp dialogue, a funny and outrageous plot, and can get the audience rooting for…
Utah's Source for Theatre Journalism
CENTERVILLE — Arsenic and Old Lace is one of those classic shows that has witty and crisp dialogue, a funny and outrageous plot, and can get the audience rooting for…
MAGNA — There are few things that can tempt me to leave my warm, cozy apartment on a cold winter’s eve, but a good musical is among them—especially a classic.…
PROVO — It’s hard to believe that it’s been 25 years since The Phantom of the Opera had its debut in the United States. In that time it’s become a…
SALT LAKE CITY — I sat happily through the production of A Philadelphia Story, at the Pioneer Theater Company, making notes to later compose my review. I didn’t have to…
WEST VALLEY CITY — Start with one arena stage, two straight backed chairs, three old fashioned steamer trunks, and four extremely versatile actors. Toss in a foley artist and a…
OREM — I love a good farce. With mistaken identities, slamming doors, running back and forth, and just a dash of innuendo, Ken Ludwig’s Lend Me a Tenor is a…
SALT LAKE CITY — The set for The Zion Curtain was no more than three chairs. Two of the three actors, Jacob Lewis and Napsugar Hegedus, wore just white t-shirts…
SALT LAKE CITY — Grassroots Shakespeare Company has a very strong and vocal following. They proudly proclaim that they are an original practices company, meaning—just like in Shakespeare‘s time—that they…
SALT LAKE CITY — “Each must make a safe place of his heart, before so strange and wild a guest as God approaches.” – Li-Young Lee This line from former…
SALT LAKE CITY — There is something both nostalgic and romantic about radio drama. The extra description in narration, the ever-present sound effects, trying to pick out different voices from…