GONE MISSING and THE CLEVEREST THIEF explore universal themes
PROVO — It’s always refreshing for me when I get to walk into a show that I know nothing about and just go along for the ride. BYU’s The Cleverest…
THE CIVIL WAR is a well-earned victory
OREM — “The Civil War is not history, not historical drama, not fiction, not conventional narrative. It is most definitely not intended to be a traditional musical play,” says author…
UVU’s THE IMAGINARY INVALID is an evening well spent
OREM — It never ceases to amaze me that Molière’s plays are still ridiculously funny, even after being translated from four-hundred year-old French. And when I say “funny,” I don’t…
PLAY ON! is a love letter to community theatre
PLEASANT GROVE — When I was in college, one of my theatre professors asked my class why, in an era of an ever-increasing number of entertainment options, we as young…
RAPUNZEL! RAPUNZEL! is a fairly fair fairy tale
OREM — Presented as part of the Theatre for Young Audiences series at the SCERA Center for the Arts, Rapunzel! Rapunzel!, directed by Chase Ramsey, has more to accomplish than…
Covey Center’s CHARLIE BROWN carried by stellar performances
PROVO — There is a unique challenge to theatre for young audiences: How to create something that is entertaining for children, but also is fun for adults and high quality?…
HENRY V at BYU stays faithful to Shakespeare
PROVO — Henry V is one of Shakespeare’s best known history plays thanks to the successful film by Kenneth Branagh, and another earlier film by Laurence Olivier. BYU’s Young Company…
LITTLE HAPPY SECRETS: a simple and honest play
PROVO — I’ve been wanting to see Little Happy Secrets for years. Now that I finally have, I was not disappointed. My hat is off to the cast and crew…
SEE HOW THEY RUN is worth a look
LINDON – I have a special place in my heart for little community theaters. There is something elemental that arises when the space can hold less than one hundred people,…
THE CRUCIBLE still resonates today
OREM — The Crucible, as penned by Arthur Miller in 1953, is given apt resonance in UVU’s most recent production of this American work. Directed by D. Terry Petrie, I…