A rocky script topples THE STORY STONE
OREM — The ambiance before The Story Stone is quite soothing. Actors mill about the theatre-in-the-round space and musicians play a variety of instruments, while a few of the actors…
Utah's Source for Theatre Journalism
OREM — The ambiance before The Story Stone is quite soothing. Actors mill about the theatre-in-the-round space and musicians play a variety of instruments, while a few of the actors…
OREM — What do Socrates, Anne Frank, Malcolm X, Joan of Arc, Joseph Smith, Roza Robota, and Bobby Sands have in common? Two things: first, they all died untimely deaths…
SUNDANCE — Incredibly, this summer’s Sundance Summer Theatre show was my first exposure to the classic Irving Berlin musical, Annie Get Your Gun. How I’ve gotten through my entire life…
OREM — Gruesome Playground Injuries is a contemporary drama with some dark comedy interspersed in the writing by Pulitzer Prize nominated playwright Rajiv Joseph. I first became a fan of…
OREM — “A new play every ten minutes.” That’s the promise of Utah Valley University’s Short Attention Span Theatre, an evening of short plays playing in the Exbox Theatre this…
OREM — In November of 2008, a majority of California voters said yes to Proposition 8, a legal redefinition of the state’s constitutional amendment declaring that “only marriage between a…
OREM — It never ceases to amaze me that Molière’s plays are still ridiculously funny, even after being translated from four-hundred year-old French. And when I say “funny,” I don’t…
OREM — The Crucible, as penned by Arthur Miller in 1953, is given apt resonance in UVU’s most recent production of this American work. Directed by D. Terry Petrie, I…
OREM — UVU’s 7th annual Holiday Night Live was a night of lively sketch comedy. The humor varies from sketch to sketch, and I’d say there was something there for…
PROVO — In everyone’s music collection there is an album or two labeled “greatest hits” or “best of.” These compilations are a great way for casual fans of a band…