UTBA reviewers sound off: Excellence in 2021
With the end of the year upon us, it is time for one of UTBA’s greatest traditions: the annual post where our reviewers commend the Utah theatre community’s excellent work…
Utah's Source for Theatre Journalism
With the end of the year upon us, it is time for one of UTBA’s greatest traditions: the annual post where our reviewers commend the Utah theatre community’s excellent work…
PROVO — After a crowd of senators has stabbed Julius Caesar to death, Cassius asks, “How many ages hence shall this our lofty scene be acted over in states unborn…
PROVO — As I sat at intermission of the Utah Shakespeare Festival’s admirable The Pirates of Penzance last month, I mentioned to my companion that BYU was putting on Urinetown…
PROVO — Science fiction plays are rare, likely because many of the genre’s staples, like laser guns and transporter devices, are hard to depict on stage. That has not stopped…
PROVO — The tale of “Beauty and the Beast” has captivated people for centuries. While modern audiences know it best through literature, television, stage, and film adaptations, the opera world…
PROVO — After a year of streaming productions, Brigham Young University’s Theatre and Media Arts department is once again mounting plays before a live audience. The department’s first production is…
PROVO — Throughout the story of The Turn of the Screw, there is a persistent question of whether the governess is seeing ghosts or losing her mind. While watching the…
PROVO — How do you fill a stage with two dozen actors when you’re not allowed to have more than four near each other? That’s the challenge presented to the…
PROVO — Adapted from a medieval morality play Everyman, BYU’s production of Everyone, directed by Megan Sanborn Jones, is a great way to entertain audience members this weekend. Everyman, is…
PROVO — Both written and directed by Gloria Bond Clunie, BYU’s streaming production of North Star is extremely relevant. The show depicts a mother remembering her childhood during in the…