Make it your quest to see SCERA’s SPAMALOT
OREM — SCERA’s production of Spamalot is so side splitting that describing it exhausts the English language’s supply of words that mean “funny.” Even the best thesaurus is inadequate to…
Utah's Source for Theatre Journalism
OREM — SCERA’s production of Spamalot is so side splitting that describing it exhausts the English language’s supply of words that mean “funny.” Even the best thesaurus is inadequate to…
OREM — More than a year into the Coronavirus pandemic, entering the Ragan Theatre at Utah Valley University for Constellations felt both uniquely strange and oddly familiar. The production, directed…
PROVO — Throughout the story of The Turn of the Screw, there is a persistent question of whether the governess is seeing ghosts or losing her mind. While watching the…
PROVO — How do you fill a stage with two dozen actors when you’re not allowed to have more than four near each other? That’s the challenge presented to the…
SPANISH FORK — A long standing policy at UTBA is to judge productions by the standards that the theatre companies set for themselves or that they advertise. Holding every company…
PROVO — Adapted from a medieval morality play Everyman, BYU’s production of Everyone, directed by Megan Sanborn Jones, is a great way to entertain audience members this weekend. Everyman, is…
PROVO — Both written and directed by Gloria Bond Clunie, BYU’s streaming production of North Star is extremely relevant. The show depicts a mother remembering her childhood during in the…
OREM — According to Dirty Rotten Scoundrels, the key to being a good con artist is to “Give them what they want.” The producers at Hale Center Theater Orem have…
OREM — As a critic, when I critique a show that has been a part of the theatrical repertoire for as long as The Importance of Being Earnest has been,…
Every UTBA reader knows that 2020 was a tough year for Utah theatre. For over two months, we did not review any theatre productions because all theaters in the state…