A STREETCAR NAMED DESIRE never picks up speed
SALT LAKE CITY — The most important thing to know about the production of A Streetcar Named Desire from Skye’s the Limit Productions is that it is long. Really long.…
Utah's Source for Theatre Journalism
SALT LAKE CITY — The most important thing to know about the production of A Streetcar Named Desire from Skye’s the Limit Productions is that it is long. Really long.…
OREM — I’ve said before that I’ll never pass up a chance to see a Grassroots Shakespeare Company show, and my enthusiasm only grew stronger after seeing their production of…
OREM — Gruesome Playground Injuries is a contemporary drama with some dark comedy interspersed in the writing by Pulitzer Prize nominated playwright Rajiv Joseph. I first became a fan of…
MAGNA — Young Frankenstein, officially known as The New Mel Brooks Musical Young Frankenstein, is a musical with a book by Mel Brooks and Thomas Meehan and music and lyrics…
SALT LAKE CITY – The songs and characters of Alain Boublil and Claude-Michel Schonberg’s Les Misérables are an underlying part of my life growing up. My family latched on to…
OREM — If you have never seen Urinetown, you are missing out on a delightfully metatheatrical parody of theatre and society. It is now playing at the Hale Center Theatre…
SOUTH SALT LAKE — I saw Charlotte’s Web with three of my delightful children, and they were nothing less than impressed. My six-year-old said, “It was great.” And my oldest,…
SALT LAKE CITY — The Hive Theatre Company’s production of Martin McDonagh’s A Behanding in Spokane was for me a study in dichotomy, addressing the question of how I could…
SALT LAKE CITY — Some of the most important stories are also the hardest stories to tell. The Face of Emmett Till is certainly one of those stories. And, thankfully,…
PARK CITY — Reefer Madness has now become one of my new favorite cult musicals; it is witty satire full of ridiculousness, large laughs, and great music. The musical is…