CAESAR’S BLOOD left me eager to bleed him some more
CEDAR CITY — In November 1864, just weeks after Abraham Lincoln’s reelection, John Wilkes Booth and his two brothers, Edwin and Junius, gave an acclaimed performance of Julius Caesar in…
Utah's Source for Theatre Journalism
CEDAR CITY — In November 1864, just weeks after Abraham Lincoln’s reelection, John Wilkes Booth and his two brothers, Edwin and Junius, gave an acclaimed performance of Julius Caesar in…
CEDAR CITY — The final production rounding out this years Neil Simon Festival in Cedar City is I’m Not Rappaport by Herb Gardner. I’m Not Rappaport is a story revolving…
CEDAR CITY — The third installment in this year’s Neil Simon Festival in Cedar City is a musical with a script by Neil Simon, music by Marvin Hamlisch, and lyrics…
CEDAR CITY — Chapter Two is the second installment of plays this year at the Neil Simon Festival. Originally produced in 1977, this play follows the lives of four different…
CEDAR CITY — When I told friends that I was going down to Cedar City to see some plays at a festival, they all assumed I was going to the…
CEDAR CITY — As a theatre critic, there are moments when my fellow audience members laugh loudly, and I do not. Unfortunately, I am often too busy dissecting the elements…
CEDAR CITY — I will likely be exiled from the United States after my pronouncements in this review for two reasons. The first: this was my first time seeing South…
CEDAR CITY — When the Utah Shakespeare Festival produced its first season in 1962, Fred C. Adams directed the inaugural production, Shakespeare’s The Taming of the Shrew, which tells the…
CEDAR CITY — In King Lear, the natural order of the world is being destroyed. Families disintegrate. Loyalty becomes dangerous. And cruelty becomes an asset, necessary for survival. In the…
CEDAR CITY — “Uneasy lies the head that wears the crown,” a dying Henry IV says as he ponders the stresses and strains that come with kingship. In addition to…