PTC’s Waitress is Perfectly Baked
SALT LAKE CITY — Waitress might be one of the best musicals to never win Best New Musical at the Tony Awards. It was up against Hamilton, so it’s an…
Utah's Source for Theatre Journalism
SALT LAKE CITY — Waitress might be one of the best musicals to never win Best New Musical at the Tony Awards. It was up against Hamilton, so it’s an…
CEDAR CITY — In her director’s note, Melinda Pfundstein says, “Through Gunderson’s Silent Sky, we explore permission and potential — internal or inspired by others — to experience, to live,…
SALT LAKE CITY — As produced by The University of Utah, The Tempest is Shakespeare for the 21st century. The set (designed by Kyle Becker) is massive, comprised of these…
CEDAR CITY — The Utah Shakespeare Festival’s production of All’s Well That Ends Well is not good, and it is not bad. It just exists. All’s Well That Ends Well…
With the end of the year upon us, it is time for one of UTBA’s greatest traditions: the annual post where our reviewers commend the Utah theatre community’s excellent work…
CEDAR CITY — Ragtime is one of the greatest American musicals. And the production of Ragtime currently on stage at the Utah Shakespeare Festival must rank among this masterpiece’s greatest…
CEDAR CITY — “The souls of men are full of fear” when Richard III, Shakespeare‘s most malevolent king, is on the loose. An alarming tension permeates the current production of…
CEDAR CITY — Theatre is ethereal, but does it have to be? The Book of Will, currently playing at the Utah Shakespeare Festival, grapples with this question through a story…
CEDAR CITY — Making a living in the arts has always been a challenge. But—as in many other fields—women experience challenges in the workplace that men do not have. Rather…
CEDAR CITY — Shakespeare‘s sermon on mercy and forgiveness, The Merchant of Venice, has returned to the Utah Shakespeare Festival in a production that mixes traditional techniques with new choices.…