Utah Fest Opera’s MAGIC FLUTE soars musically, lacks stage magic
LOGAN — Wolfgang Amadeus Mozart’s The Magic Flute is a challenging opera to produce. It is a fairy tale of darkness, light, and finding your way in the world which…
Utah's Source for Theatre Journalism
LOGAN — Wolfgang Amadeus Mozart’s The Magic Flute is a challenging opera to produce. It is a fairy tale of darkness, light, and finding your way in the world which…
SALT LAKE CITY — The Barber of Seville, by Gioachino Rossini, is probably the greatest comic opera ever written. That is not just my opinion, but Giuseppe Verdi’s, as well,…
SALT LAKE CITY — Peter Brook has been hailed a theatrical genius. He was influenced by the work of Antonin Artaud and his ideas for “Theatre of Cruelty,” which was…
SALT LAKE CITY — It was the war to end all wars. World War I began over 100 years ago, but its effects live on all around us. It was…
LOGAN — Wolfgang Amadeus Mozart’s The Marriage of Figaro—or for purists, Le Nozze Di Figaro—is a most glorious and joyful opera and about number five or six in the opera…
LOGAN — To say that playwright Terrence McNally is a stalwart of the American theatre would be a gross understatement. Critic Rex Reed describes McNally as “one of the greatest…
SALT LAKE CITY — In opera, you can’t do better than Mozart. Of course, the world of opera has Verdi and Puccini, and a handful of other brilliant composers, but…
SALT LAKE CITY — The musical Company started out as eleven one-act plays penned by actor/playwright George Furth who planned for Kim Stanley to play each of the separate leads.…
SALT LAKE CITY — One can only imagine what was going through the heart and mind of Antoine de Saint-Exupéry in the early 1940s as World War II raged in…
SUNDANCE — Oklahoma! was the first musical written by the team of Richard Rodgers and Oscar Hammerstein II, and it ushered in the American musical theatre as we now know…