“Erin’s Promise” still has room to grow
PROVO — I’ve never been to a roadshow before, but I think I stumbled upon one tonight. Erin’s Promise was a sincere effort of a musical, but felt more like…
Utah's Source for Theatre Journalism
PROVO — I’ve never been to a roadshow before, but I think I stumbled upon one tonight. Erin’s Promise was a sincere effort of a musical, but felt more like…
OREM — “Lizzy will last me my whole life through!” And this production of 110 In The Shade will last many their whole lives through. A beautiful story was told…
OREM — As I situated my blankets on the grass of the SCERA shell Thursday night, I really regretted not inviting my 4-year old cousin to Willly Wonka with me.…
OREM—Funny Girl premiered on Broadway in March, 1964 and played for 1,348 performances. It’s the show that made Barbra Streisand a star and features some of the most loved Broadway…
PROVO — Rain or shine, Utah Shakespeare in the Park’s production of Much Ado About Nothing was worth the risk. I packed my lawn chair, blanket and a couple of…
PROVO — It was a beautiful day in May when I walked toward the Nelke Theatre at BYU, but one thing seemed out of place. I was on my way…
OREM — The story of To Kill a Mockingbird is dear to the heart of anyone who took high school English. Who didn’t love Scout, look up to Atticus, and…
PROVO — Normally, I am reluctant to see a show like Stones which has a religious subject matter. I have been know to hate “Jesus Plays.” I feel it is…
OREM — At the end of Once Upon a Mattress (produced by SCERA), I certainly walked away with a memorable experience. The characters are larger than life and the action…
PROVO — Talley’s Folly, we are told from the start by the play’s protagonist, Matt Friedman, is a romance—a waltz—played out in three-four time over the course of ninety-six minutes…