CINDERELLA is a nice fit for the SCERA, but not perfect
OREM — Cinderella’s Fairy Godmother sings, “Impossible things are happening every day,” this message has instilled hope in many a young girl who wished to go to the ball and…
Utah's Source for Theatre Journalism
OREM — Cinderella’s Fairy Godmother sings, “Impossible things are happening every day,” this message has instilled hope in many a young girl who wished to go to the ball and…
PROVO — Adaptation is hard. Taking a beloved piece that works in one medium and effectively transferring it into another is a daunting task. Teresa Dayley Love‘s script for BYU’s…
OREM — If there’s one thing I appreciate in modern productions of Shakespeare, it is a theater company’s ability to cut the script. As Shakespeare once wrote, “Brevity is the…
OREM — The announcement was unprecedented. For the second year in a row, the same university had won several of the highest awards given to college theatre: the Kennedy Center…
PROVO — If I had to choose one word to describe the Grassroots Shakespeare Company production of As You Like It, it would be “energetic.” Nearly every scene of the…
PROVO — The most important thing to know about The Echo Theatre’s production of A Midsummer Night’s Dream is that it definitely does not look like a typical production of…
PROVO — Everyone wishes they had a second chance. But the four characters of Forever Plaid never even had a first chance. On their way to a big performance, which…
OREM — How would you like to spend your Friday evening with a mousy middle-aged agoraphobic Broadway fanatic as he plays, sings along, and provides commentary about his favorite 1928…
OREM — The Taming of the Shrew, like many of Shakespeare‘s best plays, is so versatile. The film 10 Things I Hate About You moved the story to a high…
PROVO — Bielzy and Gottfried is one of the first entries in what the Echo Theater is calling its Playwriting Showcase. Unfortunately, this entry featured a poor script and an…