HCTO’s EMMA, a charming tempest in a teapot
OREM — Hale Center Theater Orem’s production of a musical adaptation of Jane Austen’s Emma (music, lyrics, and book by Tony Award nominee Paul Gordon) feels like the theatrical equivalent…
OREM — Hale Center Theater Orem’s production of a musical adaptation of Jane Austen’s Emma (music, lyrics, and book by Tony Award nominee Paul Gordon) feels like the theatrical equivalent…
OREM — SCERA’s production of Spamalot is so side splitting that describing it exhausts the English language’s supply of words that mean “funny.” Even the best thesaurus is inadequate to…
OREM — More than a year into the Coronavirus pandemic, entering the Ragan Theatre at Utah Valley University for Constellations felt both uniquely strange and oddly familiar. The production, directed…
PROVO — Throughout the story of The Turn of the Screw, there is a persistent question of whether the governess is seeing ghosts or losing her mind. While watching the…
SPANISH FORK — A long standing policy at UTBA is to judge productions by the standards that the theatre companies set for themselves or that they advertise. Holding every company…
PROVO — Adapted from a medieval morality play Everyman, BYU’s production of Everyone, directed by Megan Sanborn Jones, is a great way to entertain audience members this weekend. Everyman, is…
PROVO — Both written and directed by Gloria Bond Clunie, BYU’s streaming production of North Star is extremely relevant. The show depicts a mother remembering her childhood during in the…
OREM — As a critic, when I critique a show that has been a part of the theatrical repertoire for as long as The Importance of Being Earnest has been,…
PROVO — It is an understatement to say that An Ideal Husband, produced by BYU, was technologically impaired. Though I appreciate the effort of the actors and technicians to put…
OREM — A Christmas Story: The Musical is part of a trend on Broadway in the past 20 years of turning popular movies into musicals. Given the financial risks of…