sting and honey company

SALT LAKE CITY — Sting and Honey’s production of Oleanna, by Pulitzer Prize-winning playwright David Mamet, is as relevant and provocative today as it was when it debuted 30 years…

SALT LAKE CITY — Walking into the Regent Street Black Box theatre, patrons are presented with a sparse stage intriguingly lined by seven mirrors atop seven boxes. The mirrors evoke…

SALT LAKE CITY — When I walked into the black box space of the Regent Street theatre to attend Sting and Honey’s production of Sleeping Beauty’s Dream, I immediately knew…

SALT LAKE CITY — “Why people have to complicate a thing so simple I can’t make out,” says Samuel Beckett of his 1953 classic Waiting for Godot. Nonetheless, consumers of…

SALT LAKE CITY — The alarm sounds on Samuel Beckett’s Happy Days. Winnie’s head pops up with such speed I worry that she will get whiplash. A smile is plastered…

SALT LAKE CITY — I was excited to see Sting and Honey’s production of Cinderella as written and directed by Javen Tanner. I had the pleasure to see its sister…

SALT LAKE CITY — The nativity has immortalized in church roadshows and Hollywood films alike. Javen Tanner’s unique movement creation, This Bird of Dawning, pays homage to the biblical tale…

SANDY — Sleeping Beauty’s Dream, written and directed by Javen Tanner and performed by The Sting and Honey Company, is a retelling of the “Sleeping Beauty” fairy tale. This version…

SALT LAKE CITY — As the audience took their seats in Rose Wagner’s dimly lit Black Box Theater, a single light fell on a large print of Boticelli’s The Birth…

SALT LAKE CITY — “Each must make a safe place of his heart, before so strange and wild a guest as God approaches.” – Li-Young Lee This line from former…