Simon Fest’s LOVE LETTERS mails it in
CEDAR CITY — Einstein made the analogy to say that relativity is like the idea that a minute touching something hot may feel like an hour, while an hour with…
Utah's Source for Theatre Journalism
CEDAR CITY — Einstein made the analogy to say that relativity is like the idea that a minute touching something hot may feel like an hour, while an hour with…
CEDAR CITY — Andrew Lloyd Webber and Tim Rice’s Evita is a shining star of musical theatre. A mere six years after the unbearable (and unbearably popular) Joseph and the…
CEDAR CITY — Shakespeare’s The Tempest tells a storm-tossed tale of shipwreck, new love, and letting grudges go. Utah Shakespeare Festival’s current production has much to admire, and some things…
CEDAR CITY — Man of La Mancha is one of those shows that many people have heard, but few know well. The SimonFest has a worthwhile production of this musical…
CEDAR CITY — I am late to the Almost, Maine party. Of course, I have heard of the play, especially its place as being one of the most produced high…
CEDAR CITY — King Lear is one of Shakespeare‘s most profound tragedies. Suffering pervades the story, and even the few characters who survive experience great hardship. Ironically, the Utah Shakespeare…
CEDAR CITY — The Sound of Music has never waned in popularity since its Broadway premiere in 1959. But this year in Utah, the show is enjoying a surge in…
CEDAR CITY — The decision to mount a musical in a space modeled after Shakespeare‘s original Globe Theatre may seem odd. But when that musical is Sweeney Todd, the decision…
CEDAR CITY — Who killed Mr. Body? Was it Mrs. White in the billiard room with the rope? Was it Colonel Mustard with the wrench in the library? At the…
CEDAR CITY — The Utah Shakespeare Festival’s production of All’s Well That Ends Well is not good, and it is not bad. It just exists. All’s Well That Ends Well…