Utah Festival Opera’s JOSEPH…DREAMCOAT is a dream come true
LOGAN — I have a confession. In all my years as a theatre student, patron, and critic, I have never…
Wasatch Theatre Company’s SIX YEARS OLD is brief but impactful
SALT LAKE CITY — While I love a big boisterous musical there is something special about attending a small, intimate…
SimonFest’s ALMOST, MAINE is almost perfect
CEDAR CITY — I am late to the Almost, Maine party. Of course, I have heard of the play, especially…
Utah Fest Opera’s MAGIC FLUTE soars musically, lacks stage magic
LOGAN — Wolfgang Amadeus Mozart’s The Magic Flute is a challenging opera to produce. It is a fairy tale of darkness,…
High Valley Arts SOUND OF MUSIC is grand theatre in the mountains
MIDWAY — What would it be like to hear Maria sing, “The hills are alive,” while surrounded by the beautiful…
SCERA’s THE SPONGEBOB MUSICAL is “Not a Loser”
OREM — There was nobody more skeptical than I was when I first heard of the plans for a Broadway…
Utah Shakespeare Festival’s KING LEAR is a successful tragedy
CEDAR CITY — King Lear is one of Shakespeare‘s most profound tragedies. Suffering pervades the story, and even the few…
Enjoying Utah Shakespeare’s SOUND OF MUSIC is easy as “Do-Re-Mi”
CEDAR CITY — The Sound of Music has never waned in popularity since its Broadway premiere in 1959. But this…
A mouth-watering production of SWEENEY TODD at Utah Shakespeare
CEDAR CITY — The decision to mount a musical in a space modeled after Shakespeare‘s original Globe Theatre may seem…
It’s no mystery. CLUE at Utah Shakespeare Fest is must-see farce
CEDAR CITY — Who killed Mr. Body? Was it Mrs. White in the billiard room with the rope? Was it…