Actors, script are strongest part of Creekside’s RELATIVE SPACE
PLEASANT GROVE — As a theatre critic, I love the chance to see my reliable favorite musicals like Les Misérables…
In UVU’s FALSETTOS, everything is more than “Alright”
OREM — “Everything will be alright!” This line is repeated often throughout the second half of the musical Falsettos. After…
The Grand Theatre’s IN THE HEIGHTS deserves “Atención”
SALT LAKE CITY — The Grand Theatre has a beautiful production of In the Heights (with the music, lyrics and…
HAIRPSRAY national tour showcases the play’s charm and hope
SALT LAKE CITY — Some Broadway shows can be a struggle to enjoy because of their heavy themes and sobering…
Directing, acting in Westminster’s FIRST DATE are show’s appeal
SALT LAKE CITY — First Date (directed by Jared Larkin and with music and lyrics by Alan Zachary and Michael Weiner) opens…
ELAINE STRITCH AT LIBERTY, an existential problem in tights now on BroadwayHD
LONDON — If you were to compile a list of theater greats, somewhere toward the top of that list you…
Lots of shenanigans at Payson’s YOU CAN’T TAKE IT WITH YOU
PAYSON — I cannot think of any better way to spend an evening than seeing a comedic play put on…
Loads of grandparent nostalgia at Covey’s OVER THE RIVER….
PROVO — The great thing about grandparents is they don’t have the responsibilities of a parent, so they are free…
THE FINAL ACT at WTC is a flimsy story well performed
SALT LAKE CITY — I don’t know what it is about playwrights writing about playwriting, but there are many plays…
Steven Fales’s MORMON BOY TRILOGY is an emotional journey
SALT LAKE CITY — Confessions of a Mormon Boy first premiered at the Rose Wagner Performing Arts Center over 20…