Uncertainty.
SALT LAKE CITY — There is something magical about a Sarah Ruhl play. What I enjoy about Ruhl’s work is her ability to mine the poetic and fanciful from the…
Utah's Source for Theatre Journalism
SALT LAKE CITY — There is something magical about a Sarah Ruhl play. What I enjoy about Ruhl’s work is her ability to mine the poetic and fanciful from the…
SALT LAKE CITY — Did you know that according to Portfolio.com, Provo is listed as the least fun city in America? Are you aware that a student in a Park…
HOLLADAY — Gee! is set in a nightclub in New York in 1953. A group of Gertrude’s close associates get together for drinks eight months after her death. This group…
SALT LAKE CITY — A tap classic of musical theatre, Pioneer Theatre Company energetically brings 42nd Street to the Salt Lake Valley with a bevy of beautiful talent that just…
SALT LAKE CITY — Watching Ramona Quimby at The Children’s Theatre reminded me what it felt like to be nine years old. For ninety reminiscent minutes, I got to join…
SALT LAKE CITY — It didn’t feel like a play—it felt real. These people had lost someone they loved suddenly and tragically; they were shocked and wounded. Their lives had…
SALT LAKE CITY — Salt Lake Acting Company’s Charm transported me into the world of America’s most famous transcendentalists—Henry David Thoreau, Ralph Waldo Emerson, and Nathaniel Hawthorne—but I found a…
SALT LAKE CITY — The Lab | Script-in-Hand Series is a fairly new laboratory for original work by Utah playwrights. The lab is led by Tobin Atkinson (Meat & Potato…
SALT LAKE CITY — The Would-Be Gentleman, presented at the University of Utah’s Babcock Theatre, was wildly entertaining. While Molière’s comédie-ballet was originally written and performed for King Louis XIV…
SALT LAKE CITY — I must confess upfront that I often have the hardest time writing reviews of shows I love. An uneven play warrants criticism—pointing out, in one’s own…