PLEASANT GROVE— On February 9, 1964, the world changed forever—at least for the fictional singing group known as The Plaids. Forever Plaid imagines the bittersweet fate of this four-man harmony group whose dreams are suddenly cut short. On their way to the biggest gig of their lives, the quartet is tragically killed in a bus accident—struck by a group of teenagers racing to see the Beatles in concert. What follows is a return from the afterlife for one final performance, a chance to sing the songs they loved and finally claim their moment in the spotlight.
From the moment the stage lights up—beautifully cycling through rich blues, reds, and soft pastels—it is immediately clear that this production rests firmly on the strength of its performers. Under the direction and choreography of David Eggers, the cast delivers polished, tightly unified harmonies that define the success of the evening. Originally written, directed, and choreographed by Stuart Ross, Forever Plaid thrives when it leans into musical precision and nostalgic charm, both of which are on full display here.
While the premise is poignant, the storytelling itself feels somewhat underdeveloped. The final sequence leans into the sorrow and indignation The Plaids feel at having their lives cut short, but much of the show avoids fully exploring those emotions. The script rarely delves into deeper backstories—families, loved ones left behind, or the lasting weight of their untimely deaths—which feels like a missed opportunity. Still, Forever Plaid has never pretended to be a deeply dramatic piece; it succeeds as a lighthearted revue, and in that respect, this production shines.
Musical highlights abound. “Heart and Soul” and “Shangri-La” stood out, while the condensed and delightfully effective parody of The Ed Sullivan Show—performed in just over three minutes—was a clear crowd favorite. Numbers like “Three Coins in the Fountain,” “Sixteen Tons,” and “Love Is a Many-Splendored Thing” transported audience members back to the 1950s and early ’60s. Around the theater, patrons tapped their toes and slapped their laps, visibly swept up in the memories these songs evoke. Even younger audience members seemed fully engaged by the familiar melodies.
Editor’s Note: This production is double cast with casts varying on different dates. This reviewer saw a Monday performance on January 19th
Each vocalist is given ample opportunity to shine. Chase Petersen anchors the quartet as Smudge, offering a rich, resonant bass that grounds the group’s harmonies. Andrew Walker, as Jinx, delivers one of the evening’s most satisfying arcs, transforming from a bashful, anxious presence into a confident showman who ultimately commands the stage. Justin Ravago brings buoyant energy and comic flair to Sparky, while Carter McEwan, as Francis (Frankie), serves as the emotional and musical center of the group, providing reassurance and leadership—particularly during “Heart and Soul,” where his performance landed with genuine warmth.
The choreography is crisp and well-executed, complementing the tight harmonies without ever overwhelming them. The set design remains intentionally simple, allowing the lighting to carry much of the visual storytelling. Props—especially during the Ed Sullivan sequence—are used to hilarious and effective ends. The two-person band, featuring Anne Puzey on piano (also serving as music director) and Mathieu Foley on upright bass, is outstanding. Their musicianship, combined with the cast’s playful use of unconventional “instruments,” including tapping a spoon on a Coke bottle, adds to the show’s infectious charm. It is nearly impossible not to drum along.
Costumes begin with sharp white tuxedo jackets and gradually incorporate plaid accents, subtly reinforcing the group’s identity as the show progresses. The production also makes effective use of fourth-wall breaks, inviting the audience into the experience through interaction and participation.
At just 90 minutes, Forever Plaid moves quickly, with the second half flying by—a testament to how enjoyable the evening is. Though the humor could have been pushed further and the emotional beats explored more deeply, the overall experience remains undeniably entertaining.
As one of the earliest examples of the jukebox musical, Forever Plaid helped pave the way for later hits like Mamma Mia!, Jersey Boys, and & Juliet. There is something inherently engaging about hearing familiar melodies performed live onstage, and this production fully understands—and embraces—that appeal.
FOREVER PLAID plays in the Lindsay Legacy Theater at The Ruth in Pleasant Grove from January 19 – March 28. Tickets range from $20–$52. Performances are nightly, Monday–Saturday, at 7:30 p.m, with select Saturday matinees at 12:30 and 4:00 p.m. For more information, visit: https://www.theruth.org/events/detail/forever-plaid