Only “Trouble” is in missing THE MUSIC MAN in Sandy
SANDY — Certain plays are so iconic that as a critic, I arrive asking myself, “What is left to be said about this show?” The Music Man, first premiered in…
Utah's Source for Theatre Journalism
SANDY — Certain plays are so iconic that as a critic, I arrive asking myself, “What is left to be said about this show?” The Music Man, first premiered in…
SANDY — From the very moment entering the theatre, 1960s pop music sets the time period and mood when, as the lights dim, the music turns forboding. The show is…
SALT LAKE CITY — Meaningless is a poignant, one-man show by Rodney Brazil, in which he chronicles the book of Ecclesiastes from the Bible. Rodney opens the performance with a…
SALT LAKE CITY — The Advantageous Adventures of Mrs. Meddlesome Episode 2: The Curse of the Tomb by Cordelia Brand is a delightful radio play! The stage has five microphones…
WEST VALLEY CITY — There is something special about a memorable ending to a musical or play. The rest of the production can have flaws, but if the show can…
SALT LAKE CITY — Singing the Diaphragm Blues & Other Sexual Cacophonies is an engaging one-woman show written and performed by Rebecca L. McCarthy that recounts her own experiences being…
SALT LAKE CITY — Savage Resources (written and directed by Ariana Broumas Farber) is billed as a “savage satire about winning, working and TikTok.” But ultimately, it feels like a…
SALT LAKE CITY — The Mormon Kid, or Who Wants to Be an Outlaw? is a one man show starring Morgan Lund (also playwright) with live cello music performed by…
SALT LAKE CITY — The Sons of Arthur (directed by Rose Allen and Daniel Barton) is a retelling of the 14th century poem Sir Gawain and the Green Knight. The…
SALT LAKE CITY — The Timekeeper’s Collection (written by Marie Kynd) is a concise play lasting about 30 minutes where — despite the run time — the story, world and…