New works series at Utah Shakespeare Fest are “gifts of rich value”
CEDAR CITY — Though the new play development series at the Utah Shakespeare Festival has existed for decades, it still feels like something of a secret to join a handful…
Utah's Source for Theatre Journalism
CEDAR CITY — Though the new play development series at the Utah Shakespeare Festival has existed for decades, it still feels like something of a secret to join a handful…
PAYSON — There are some shows that, even with their flaws, stand the test of time and are always a joy to watch. Annie Get Your Gun is such a…
NEW YORK CITY — This is my third review this year of Matt Cox’s play Puffs, Or Seven Increasingly Eventful Years at a Certain School of Magic and Magic, but…
PLEASANT GROVE — My opening question to Zack Elzey, producer of the Utah Valley Theatre Festival that is now entering its sixth year, was an echo from a show that…
TAYLORSVILLE — Maury Yeston’s musical Nine, opened on Broadway in 1983. It won the Tony Award for best musical that year. However, it has never been reviewed by UTBA, likely…
OGDEN — Hypersomnia is a new and innovative production put on by Riff-Raff Theatre Company, a new theatre company here in Utah. Performed at the Eccles Black Box Theatre in…
OREM — Clue, whether as a board game, a film, a video game, or many of its other iterations, has entertained people for over 70 years. The latest version is…
PERRY — As many a millennial can attest, Disney’s The Little Mermaid was one of the backdrops of that generation. The 1989 Disney animated movie, with lyrics by Howard Ashman…
PLEASANT GROVE — Among the most well known of William Shakespeare’s writings is the monologue from Jacques in act five of As You Like It, which begins with the following:…
PLEASANT GROVE — “Why would you want to remember the things that hurt you?” The question posed by Dan, the father in the 2009 rock musical Next to Normal (with…