HCT’S ONE FOR THE POT is comedic perfection
SANDY — Prior to this Friday evening at Hale Center Theatre, I had never heard of One for the Pot, but found myself delighted to become acquainted with this silly…
Utah's Source for Theatre Journalism
SANDY — Prior to this Friday evening at Hale Center Theatre, I had never heard of One for the Pot, but found myself delighted to become acquainted with this silly…
CENTERVILLE — When the world is falling apart, there is a perverse comfort in watching things smash in a safe, contained environment and letting yourself laugh as you cringe. The…
OREM — The Merry Wives of Windsor is an anomaly in the Shakespeare canon. The play is Shakespeare’s only domestic comedy, and it is the only one that takes characters…
OREM — If a comedy features grandparents who shove food down people’s throats, mistakenly call a Blue-Ray machine a sting-ray, and take 5 minutes of long-winded discussion to answer a…
OGDEN — The Impracticality of Modern-Day Mastodons, by Rachel Teagle, is a play based on fantasy where all the characters can suddenly live their childhood dreams, which works well for…
PROVO — Science fiction plays are rare, likely because many of the genre’s staples, like laser guns and transporter devices, are hard to depict on stage. That has not stopped…
SPANISH FORK — In live theatre, expectations matter. If a theatre company builds up expectations too high, then a satisfactory production can feel disappointing. Several years ago, a theatre company…
SALT LAKE CITY — The Barber of Seville, by Gioachino Rossini, is probably the greatest comic opera ever written. That is not just my opinion, but Giuseppe Verdi’s, as well,…
PERRY — Dirty Rotten Scoundrels, the musical at the Heritage Theatre, directed by Leslie Richards, is an amusing farce. With plenty of scheming, backstabbing, and plot twists, this play had…
OREM — Utah has become enamored with the musical The Drowsy Chaperone in recent years, but I hadn’t seen a great version in this state until tonight. In fact, I…