Rumor has it: USU’s ANASTASIA is a hit
LOGAN — The 670-seat Morgan Theatre at Utah State University’s Chase Center for the Arts was packed for the closing night of USU Opera’s production of Anastasia: The Musical on…
Utah's Source for Theatre Journalism
LOGAN — The 670-seat Morgan Theatre at Utah State University’s Chase Center for the Arts was packed for the closing night of USU Opera’s production of Anastasia: The Musical on…
HEBER CITY — Neil Simon is a titan of comedy in the American theatre. His works have garnered Tonys, Academy Award nominations, and a Pulitzer Prize for their insightful and…
KAYSVILLE — The lobby of the Hopebox Theatre is lined with plaques for recipients of the company’s Wall of Hope. A few dozen names are commemorated, each tied to a…
SALT LAKE CITY — Peeling back the layers of design, dialogue and character in a mystery is both the challenge and the thrill of making and seeing such a production.…
NEW YORK CITY — This is my third review this year of Matt Cox’s play Puffs, Or Seven Increasingly Eventful Years at a Certain School of Magic and Magic, but…
PLEASANT GROVE — My opening question to Zack Elzey, producer of the Utah Valley Theatre Festival that is now entering its sixth year, was an echo from a show that…
PLEASANT GROVE — Among the most well known of William Shakespeare’s writings is the monologue from Jacques in act five of As You Like It, which begins with the following:…
PLEASANT GROVE — “Why would you want to remember the things that hurt you?” The question posed by Dan, the father in the 2009 rock musical Next to Normal (with…
SOUTH SALT LAKE — For centuries, Romeo and Juliet has been an entrance point for many to the works of William Shakespeare. Director Brinton Wilkins explores this in his director’s…
CEDAR CITY — In summer of 2021, I saw Cymbeline at the Utah Shakespeare Festival’s Eileen and Allen Anes Studio theatre. Through a strange mistake, I thought someone was waving…