RESUSCITATION is a new take on an age-old topic
SPANISH FORK — One of the hardest parts of mourning is discovering that those close to you might experience the same loss very differently. Some people may grieve quietly and…
Utah's Source for Theatre Journalism
SPANISH FORK — One of the hardest parts of mourning is discovering that those close to you might experience the same loss very differently. Some people may grieve quietly and…
PROVO — My first impression of BYU’s Holiday came from its gorgeous set, designed by Carter Thompson. Sky-reaching walls, an ornate fireplace, and wallpaper that sings of older times literally…
PROVO — One of the reasons I keep going back to the theatre because of my hope that a director and cast can present a script that I’m familiar with…
PROVO — The last show I saw at the Echo Theatre was The Woman in Black, a production I adored. I went into The Turn of the Screw and Other…
OREM — The biggest draw for Utah Valley University’s production of their children’s theatre production of Aurand Harris’s Androcles and the Lion was, for me, the fact that it is…
PROVO — Take bucket loads of talent (and blood), bushels of fun (and blood), and . . . well, blood, and you’ve got Grassroots Shakespeare Company’s Richard III. The Bard…
PROVO — I didn’t notice the cold for 45 minutes on Friday night. And it was definitely cold. It was probably around 35° up at the Castle Amphitheater that night,…
OREM — After laughing my way through Salty Dinner Theater’s production of Frankenstein last year, I was excited to see Dracula: This Show May Bite. I loved the crazy comedy,…
PROVO — Theatre aimed at children is often a tricky thing to review. In the past I’ve been unsuccessful in capturing the essence of a show in a review because…
OREM — “To travel the world,” read my son’s post-it note star wish, added to the star wish wall as we exited the theater at the SCERA Center for the…