THE MERCHANT OF VENICE dictates its own terms
CEDAR CITY — Shakespeare‘s sermon on mercy and forgiveness, The Merchant of Venice, has returned to the Utah Shakespeare Festival in a production that mixes traditional techniques with new choices.…
Utah's Source for Theatre Journalism
CEDAR CITY — Shakespeare‘s sermon on mercy and forgiveness, The Merchant of Venice, has returned to the Utah Shakespeare Festival in a production that mixes traditional techniques with new choices.…
CEDAR CITY — Rather than a big, flashy musical, the Utah Shakespeare Festival chose this year to produce Big River, the musical adaptation of Mark Twain‘s The Adventures of Huckleberry…
In the space of seven months—from July 2017 to February 2018—I have seen four separate stage productions of Romeo and Juliet in Utah. Now it’s time for me to take…
With the end of the year upon us, it’s time for one of our favorite annual traditions: the UTBA post about excellence on the Utah stage in the past year!…
CEDAR CITY — I saw denial, anger, bargaining, depression, and acceptance. Between the tragedies in Neil LaBute’s script, these stages of grief enveloped each character in waves. Because grief doesn’t…
CEDAR CITY — Where do I begin? How do I review a show so filled with mirth and downright belly laughs that come from the absolute shock and surprise of…
CEDAR CITY — The Utah Shakespeare Festival has decided again to visit fair Verona and stage Romeo and Juliet this year in an insightful, well acted, and gratifying production that…
CEDAR CITY — “There is no honor among thieves,” according to the old saying. This is certainly true of the pirates of Treasure Island, most of whom succumb to an…
CEDAR CITY — Often in Shakespeare‘s plays, people leave their home to attempt to escape their problems. As You Like It turns this idea on its head by forcing its…
CEDAR CITY — With A Midsummer Night’s Dream being the most popular non-musical play in Utah, the challenge for any local company is to strike a careful balance. If a…