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PROVO — Last year BYU took a chance on an idea: creating a new international arts festival. The hope was that Utahns would embrace innovative, modern theatre productions from around…
Utah's Source for Theatre Journalism
PROVO — Last year BYU took a chance on an idea: creating a new international arts festival. The hope was that Utahns would embrace innovative, modern theatre productions from around…
OREM — Even before the show started, I knew The Little Mermaid was going to be good. The cast was onstage, singing “Auld Lang Syne” with the warm-up act. Their…
PROVO — Blood, blood, and more blood. Titus Andronicus is without a doubt Shakespeare’s bloodiest and most violent play. According to English Professor S. Clark Hulse, Titus Andronicus features more…
PROVO — With ghosts, several murders, and three mysterious witches, William Shakespeare‘s Macbeth is a classic choice for the Halloween season. The Echo Theatre’s production is a Macbeth that tries…
OREM — There’s a moment in the final scene of Blood Wedding where three fated women sit on swings placed across the stage. They rock, and slowly draw a length…
SALT LAKE CITY — Euripides‘s describes the title character of his tragedy Hecuba as a “mother of sorrows.” A more apt description would be impossible to find. When the play…
SALT LAKE CITY — Romeo and Juliet, as penned by William Shakespeare, remains a constant of theater performance, attempted by many theatrical devotees and presented in a variety of lenses.…
PROVO — After seeing The Grassroots Shakespeare Company’s production of Doctor Faustus, I am kicking myself for not seeing everything they have done in the past, and you can bet…
SALT LAKE CITY — At the end of Westminster College’s production of Oedipus the King, a chorus of nine actors sang the haunting words, “Call no man happy until that…
AMERICAN FORK — Based on the popular Italian opera by Giuseppe Verdi of the same name, the musical Aida (with music by Elton John and lyrics by Tim Rice and…