Say it three times: BEETLEJUICE is a crowd pleaser
SALT LAKE CITY — Beetlejuice (with music and lyrics by Eddie Perfect and a book by Scott Brown and Anthony King) is a technical triumph with non-stop laughs. Beetlejuice is…
Utah's Source for Theatre Journalism
SALT LAKE CITY — Beetlejuice (with music and lyrics by Eddie Perfect and a book by Scott Brown and Anthony King) is a technical triumph with non-stop laughs. Beetlejuice is…
TOOELE — I love when a theatre company chooses the perfect production for its performance space, and tonight’s show, Winnie the Pooh Kids, was set in its own “hundred acre…
SANDY — Certain plays are so iconic that as a critic, I arrive asking myself, “What is left to be said about this show?” The Music Man, first premiered in…
OGDEN — Ever since the musical adaptation of Disney’s classic film Beauty and the Beast premiered on Broadway in 1994 there has been a mixed response from the musical theatre…
SALT LAKE CITY — Meaningless is a poignant, one-man show by Rodney Brazil, in which he chronicles the book of Ecclesiastes from the Bible. Rodney opens the performance with a…
OREM — Change is in the air as silent films give way to “talkies.” After the wild success of The Jazz Singer, Hollywood studios are scrambling to add sound to…
WEST VALLEY CITY — There is something special about a memorable ending to a musical or play. The rest of the production can have flaws, but if the show can…
SALT LAKE CITY — The Sons of Arthur (directed by Rose Allen and Daniel Barton) is a retelling of the 14th century poem Sir Gawain and the Green Knight. The…
IVINS — After a few years since my last visit to Tuacahn, where I reviewed The Hunchback of Notre Dame in 2016, I was happy to again attend the beautiful…
SALEM — Because UTBA reviews over 200 shows per year, we often notice when a play is getting more productions than usual. Last year, we reviewed five productions of The…