In 2013 Plan-B Theatre Company extended its mission to produce socially conscious theatre pieces by launching FEST, the Free Elementary School Tour. This six year initiave kicked of with a half hour version of Prokofiev’s Peter and the Wolf which reached 12,000 northern Utah students over 34 performances. This was followed up in 2014 by Matthew Ivan Bennett’s DIFFERENT= AMAZING, a piece containing five vignettes based on real-life bullying stories from Utah students and aimed at upper elementary students. 2015’s tour features RUFF!, a new play from Jenifer Nii which teaches about breaking down stereotypes and what we can learn from other beings through two unlikely lead characters – shelter dogs Axel and Buddy. RUFF! will make its pre-tour premiere at the inaugural Great Salt Lake Fringe Fest August 6-8. Nii has become known for plays that explore complex relationships but deeply human relationships with lush language (Suffrage, The Scarlet Letter). Here, Nii shares some thoughts on writing and her RUFF! process.
Your Plan-B bio says that you are a former concert pianist and journalist. What turned your creative path to playwriting?
NII: My senior year at university, I saw a production of Marsha Norman’s Getting Out. It was my first dramatic/theatre experience. I went back every night until the play ended its run. I was stunned at the power this one experience had, how moved I was, how changed. The night it closed, I sat down and started writing my first play. I finished it a week later. Thankfully, it has never been produced. But it started me on the path that led me to Plan-B Theatre Company, my creative home. I’m still playing “catch-up” in so many ways – still learning about what theatre is and can be, and what I can bring to it.
You are a professional dog trainer and you are very active in the animal rescue community. What is it like to bring your two worlds together with RUFF!?
Did your work or your dogs influence you while writing RUFF!? If so, how?
NII: Sure did. My pack is comprised mostly of dogs who have special needs – I have some who are shy, some who are old, and some who are very very grumpy. I work with them as best I can to help them be more comfortable in their world; they teach and remind me about being a better participant in mine. They help me practice service, patience, compassion, patience, and patience. They also make me laugh. In my work, I try to help clients and their dogs build the relationships and skills that’ll keep them growing closer together.
As a dog mom, I know that dogs have a unique and effective way of communicating. How did you translate that language of dogs into dialogue for a play?
Is this your first piece for children? Did your process change at all because this is a children’s play?
This tour has been in the works for over a year. How do feel about the upcoming premiere at the Fringe Fest?
What is your favorite line from RUFF!?
NII: “Just as big and twice as smart.” It’s about standing tall in the face of fear and believing you are someone great and unique.
What do you find is the biggest benefit about writing for the stage versus other writing? What is your biggest challenge?
What piece of conventional wisdom about playwriting have you found to be the least helpful?

How do you you combat or confront that doubt?
What is next for you?