PTC’s Waitress is Perfectly Baked
SALT LAKE CITY — Waitress might be one of the best musicals to never win Best New Musical at the Tony…
Stellar SILENT SKY at Utah Shakespeare Festival
CEDAR CITY — In her director’s note, Melinda Pfundstein says, “Through Gunderson’s Silent Sky, we explore permission and potential —…
Tech wizardry, strong casting make the U.’s TEMPEST a modern gem
SALT LAKE CITY — As produced by The University of Utah, The Tempest is Shakespeare for the 21st century. The…
ALL’S WELL THAT ENDS WELL at Utah Shakes just . . . exists
CEDAR CITY — The Utah Shakespeare Festival’s production of All’s Well That Ends Well is not good, and it is…
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UTBA reviewers sound off: Excellence in 2021
With the end of the year upon us, it is time for one of UTBA’s greatest traditions: the annual post…
Utah Shakespeare Festival’s RAGTIME is a smashing “Success!”
CEDAR CITY — Ragtime is one of the greatest American musicals. And the production of Ragtime currently on stage at…
Nuanced performances make RICHARD III a satisfying evening
CEDAR CITY — “The souls of men are full of fear” when Richard III, Shakespeare‘s most malevolent king, is on…
THE BOOK OF WILL needs a rewrite
CEDAR CITY — Theatre is ethereal, but does it have to be? The Book of Will, currently playing at the…
Introducing Statera: Supporting women in the performing arts
CEDAR CITY — Making a living in the arts has always been a challenge. But—as in many other fields—women experience challenges…
THE MERCHANT OF VENICE dictates its own terms
CEDAR CITY — Shakespeare‘s sermon on mercy and forgiveness, The Merchant of Venice, has returned to the Utah Shakespeare Festival in…