SANDY — If you’ve seen Footloose on stage before and walked away disappointed, you’re not alone. The 1984 film is a tough act to follow—how do you match the iconic tractor showdown, the pulse-pounding warehouse dance, or Kevin Bacon’s breakout swagger? Most stage productions fall short. But this production at the Hale Centre Theatre in Sandy doesn’t just rise to the challenge—it kicks off its Sunday shoes and soars.
From the moment the live orchestra (a rare and thrilling feature at the Hale, led by Alex Marshall) strikes up those familiar rock anthems, the energy is electric. The cast brings the beloved movie to life with fresh vibrancy, killer choreography, and a reverent nod to the film’s 1980s roots. Utah audiences, who have a soft spot for Footloose—since it was famously filmed at the Lehi Roller Mills and Payson High School—will especially appreciate the Easter eggs and sly nods to the Utah movie set.
Footloose follows the story of Ren McCormack, a city teen who moves to the small, conservative town of Bomont, where dancing has been outlawed following a tragic accident years earlier. Determined to challenge the status quo, Ren rallies his classmates to fight for the right to dance, facing resistance from the town’s influential Reverend Shaw Moore—who also happens to be the father of Ariel, the rebellious girl Ren begins to fall for. As tensions escalate, the show delves into themes of grief, generational conflict, and the transformative power of music.
Benjamin David Tate as Ren McCormack is every bit the charismatic outsider you hope for. With heartthrob charm, solid vocals, and exceptional dancing, he channels Kevin Bacon without feeling like an imitation. His solo “I’m Free” is a standout, pulsing with defiance and movement that matches the emotional weight of the moment.
Bryndal Braithwaite as Ariel is equally compelling. She nails the layered role of a rebellious preacher’s daughter who falls for the misunderstood boy. Braithwaite exudes confidence and vulnerability, and exhibits powerhouse vocals. Her performance of “Holding Out for a Hero” is a true showstopper—complete with superhero-themed visuals and energetic ensemble choreography that had the audience cheering. No spoilers…but the nod to 80s superheroes is so much fun! Tate and Braithwaite beautifully showcase their chemistry in “Almost Paradise” as they sing their hearts out atop a stunning bridge.
Supporting roles shine just as brightly. Emma Wadsworth Hurley as Rusty brings comic timing and vocal agility, especially during “Let’s Hear It for the Boy.” Collin Larsen’s Willard delights with his goofy charm and surprising vocal strength in “Mama Says,” backed by a hilarious and lovable group of buddies.
Greg Hansen and Erin Carlson (as Rev. Shaw and Vi Moore) ground the show with emotional gravitas. Carlsen does a great job portraying the constrained wife of a clergy man, while Hansen plays the complex reverend who’s dealing with a tragic past. Their performances bring depth to the story’s central conflict—tradition vs. change—and their duets are tender and sincere.
The ensemble matches every bit of the energy and talent displayed by the leads. The entire cast comes together superbly with their tight harmonies and energetic dance moves, making every number feel alive and dynamic. There are a few added songs not found in the original film—some more effective than others. Thankfully, all of your favorite songs from the film (made famous by Kenny Loggins, Bonnie Tyler, and Ann Wilson) are preserved for the stage production.
Director Dave Tinney keeps the pacing snappy and heartfelt, balancing big musical numbers with quiet moments of introspection. His director’s note about the real-life story that inspired Footloose—Elmore City, Oklahoma, where dancing was outlawed until 1979—gives the production added weight. The students who fought for their right to dance mirror Ren’s fictional journey, proving that youthful passion can indeed change the world. As one school board member said: “Let ’em dance!”
A special shout-out goes to Afton Wilson’s choreography, which is nothing short of brilliant. The final number, “Footloose,” explodes with joy, movement, and precision, showing off the cast’s stamina and spirit.
As always, the Hale has an amazing set that mesmerizes with their signature stage lifts, video screens, and impressive sets. And yes, there’s a real VW Bug and pickup truck that drive on stage.
Visually, the production nails the 80s aesthetic with perfectly-styled costumes (including that iconic red jacket that Bacon wore in the final dance scene and the red boots donned by Ariel). Hundreds of shoes hanging from above the stage add a fun and symbolic touch.
Bottom line? Footloose at the Hale Centre Theatre is everything a musical should be: high-energy, heartfelt, and absolutely fun. Whether you’re a longtime fan of the original film or seeing the story for the first time, this production captures the spirit of teenage rebellion, small-town tradition, and the healing power of dance better than any stage version I’ve seen.
This is Footloose done right. Don’t miss it.
These reviews are made possible by a grant from the Salt Lake County Zoo, Arts, and Parks program.
