At This Utah Theatre: Pygmalion Productions
SALT LAKE CITY — Born out of an idea from two friends in 1995, Pygmalion Productions started in Ogden, Utah to fulfill their mission to “Produce Theatre that reflects issues,…
Preview Salt Lake Fringe With My Brother is a Vampire
Salt Lake City — The time has come for the Great Salt Lake Fringe Festival, and in preparation for the upcoming weekend I got a sneak peak of one of…
The Weight of Silence: The World Premiere of THE BIG QUIET
SALT LAKE CITY — On February 21st Morag Shepherd’s The Big Quiet, premiered at the Rose Wagner Center in Salt Lake City. This play is a restrained yet powerful meditation…
MISERY a Terrifying Treat from Immigrant’s Daughter
SALT LAKE CITY – Immigrant’s Daughter has a penchant for finding the right found spaces, and the space they found for their current production of Misery, co-produced with Lil Poppet…
Experience Intimacy with SACKERSON’s In Your Dreams
SALT LAKE CITY — After a four year long hiatus, Sackerson is back with a new theatrical offering in their true unconventional fashion. Sackerson is a company that has always…
PYGmalion’s LAST LISTS OF MY MAD MOTHER is first rate
SALT LAKE CITY — The Leona Wagner Black Box at the Rose Wagner Performing Arts Center is a lesser known jewel of the Salt Lake City theatre scene. I attended…
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UTBA reviewers sound off: Excellence in 2023
The year is coming to a close, and what a year it has been! At UTBA, we published a record-breaking 259 reviews in 2023, including our first reviews for productions…
WORSHIP resonates with themes of power and dissonance
SALT LAKE CITY — Just getting to the space inside the SLC ArtsHub for the world premiere of Morag Shepherd’s Worship is an adventure. If it weren’t for the helpful…
WORSHIP playwright Morag Shepherd on developing new work
SALT LAKE CITY — Worship, a new play presented by Immigrant’s Daughter Theatre is premiering October 6 through 21 at the SLC Arts Hub. Written by Morag Shepherd (the author…
Let Wasatch Theatre’s MELANCHOLY PLAY put a smile on your face
TAYLORSVILLE — What do falling in love, unspecified European accents, feeling like an almond, and mournful cello music have in common? In Sarah Ruhl‘s Melancholy Play they are the markers…