Doors, Sardines, and Sheer Delight at PTC’s NOISES OFF
SALT LAKE CITY — One of my favorite things about theatre is its fluidity. Unlike film, which lives on in its exact state forever, each new stage production breathes a…
Utah's Source for Theatre Journalism
SALT LAKE CITY — One of my favorite things about theatre is its fluidity. Unlike film, which lives on in its exact state forever, each new stage production breathes a…
SALT LAKE CITY — A number of years ago, I had the opportunity to perform in a production of Noises Off. To date, it is one of the most difficult…
SALT LAKE CITY — It is often said that comedy is the hardest art form. It is also said the Noises Off is the funniest farce ever written. Assuming both…
ODGEN — Noises Off!, written in 1982 by Michael Frayn, is arguably the modern theatrical standard for farce. It is mounted with regularity by theaters around the world. It is…
OREM — One of the most enduring farces in modern theatre is Noises Off. Playing in the early 1980’s on the West End and Broadway, and revived on the Great…
CEDAR CITY — Noises Off by Michael Frayn is hailed as one of the funniest farces ever written. Unfortunately, the production currently at the Neil Simon Festival did not live…
SALT LAKE CITY — As a reviewer, it is a delight to see a show so well-executed in every aspect–in set design, in acting, in directing, in lighting and sound…
PROVO — Noises Off! is one of my favorite scripts from one of my favorite genres. This classic show by Michael Frayn is a textbook example of farces in general,…
SALT LAKE CITY — If I had to guess, I’d say that Noises Off! is one of the most oft-produced comedies in the community, college, and high school theatre canon—and…
Centerville — If you’ve seen Noises Off (either the film or or the stage version), then you know of Gary, one of the classic comedic characters in theater. He tends…