Utah's Source for Theatre Journalism
SALT LAKE CITY — Arthur Miller is arguably the greatest American playwright of the 20th century, and after viewing his masterpiece The Crucible, it is easy to see why. Linguistically…
SALT LAKE CITY — Even people with glass houses have skeletons in their closets. Novelist Brooke Wyeth is overcoming a serious battle with depression in the best way she knows…
SALT LAKE CITY – The songs and characters of Alain Boublil and Claude-Michel Schonberg’s Les Misérables are an underlying part of my life growing up. My family latched on to…
SALT LAKE CITY — Dale Wasserman (book), Mitch Leigh (music), and Joe Darion (lyrics) were not the first by a writing team to bring the tale of Don Quixote to…
SALT LAKE CITY — Laughing Stock, written and directed by Charles Morey, is a love letter to regional stock theater companies. Inspired by his own history with just such a…
SALT LAKE CITY — In my high school theater class, we were taught that when a person wants something, they also—believe it or not—want its opposite. For example, I want…
SALT LAKE CITY — William Shakespeare is regarded as the greatest writer in the English language and the world’s foremost playwright. For over 400 years his works have captivated audiences…
SALT LAKE CITY — Getting into college is no easy task. High school seniors who want to go on to the next level are expected to have impressive resumes, grades,…
SALT LAKE CITY — There are certain expectations that come with holidays: moods and music and styles of dress. Halloween is no exception, as our culture delights in getting scared…
SALT LAKE CITY — There’s something intimidating about Hamlet. Whether seeing it or reading it—and I’m certain performing it—it’s a daunting task to approach the play that many argue is…
