Author: Melanie Parry

No mystery to enjoying Highland City’s THE MOUSETRAP

HIGHLAND — Agatha Christie‘s The Mousetrap, presented by the Highland City Arts Council, is a fun and exciting murder mystery just in time for Halloween.  The show is family friendly, but possibly frightening for very young children. Directed by Gabriel Spencer, The Mousetrap is a classic whodunit murder mystery. Because it’s an Agatha Christie story, all of the characters are neurotic and they all have something to hide. There are eight characters in the play and every one of them could be the the murderer. As new evidence is found, one by one each of the characters fall under suspicion. As is tradition with this play, the audience is sworn to secrecy and asked not to reveal the ending to anyone who hasn’t seen the play. Spencer created a coherent ensemble of actors of varying ages who worked well together. There was occasionally unmotivated blocking when a character would walk across the stage for no reason, but for the most part the movement of the characters and usage of the space made sense and were easy to follow. Spence created a first act that was faced-paced, interesting, and quite funny at times. However, during the second act there were several missed cues and forgotten lines, which dragged down the pacing of the play quite a bit.  The climax of action and resolution happened very suddenly which was rather jarring, which fit well...

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Lehi’s BEAUTY AND THE BEAST is magical family fun

LEHI — Beauty and the Beast from the Lehi City Arts Council at Willowcreek Middle School is a wonderful, magical production that’s perfect for families. The show is exciting and fun, and the family atmosphere is enhanced by the presence of several families who are in the production together. Director Kurt Elison made some excellent casting choices, including Erica Glenn, who played a lovely and animated Belle that complemented well David Henry‘s Beast. Henry was gruff and had a great growling voice, and while he struggled with hitting the long notes in Alan Menken‘s score (with lyrics by Howard Ashman and...

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