PROVO — I’m not going to bury the lede. I loved this show. I confess I love Sondheim—to an evangelical degree, even. So you might think I would be predisposed to like this production of Into the Woods. In fact, the opposite is true. If anything, my zeal for Sondheim makes me inclined to be hard on companies when they don’t do his work justice, and I took my seat at BYU’s Pardoe Theatre with apprehension. Yet, for all that, this is easily the best show I have seen on a Utah stage in the last year, and probably...Read More
OGDEN — When I was thirteen, I was ecstatic to be cast in my first play, a local production of Guys and Dolls. I was cast as a waiter, but when the actor chosen to play Benny Southstreet failed to show up on the first day of rehearsal, I was promoted on the spot. This was my first time at the Ziegfeld Theater in Ogden, and it instantly took me back to that community theatre—a converted space, hand-painted flats, creative casting, and a local crowd. I remember it fondly as a lot of fun and a baptism by fire, but...Read More
SALT LAKE CITY — People frequently refer to Asperger’s or autism when discussing fifteen-year-old Christopher Boone, the protagonist of Mark Haddon’s 2003 novel The Curious Incident of the Dog in the Night-Time as well as its 2012 stage adaptation by Simon Stephens. However, neither of those words appear in the book or the play. In the novel, Christopher describes himself as “a mathematician with some behavioural difficulties.” Haddon leaves it at that, maintaining that labels aren’t the point, that at its core “it’s a novel about difference, about being an outsider, about seeing the world in a surprising and...Read More
WEST VALLEY CITY — I’ve written before about the Hale Centre Theatre brand and how it often translates into a penchant for repetition in their programming choices. Despite this —or rather, because of it— HCT makes great efforts to bring new properties to Utah whenever they can. Almost any new Broadway show (or near-Broadway miss) that fits the Hale profile can be expected to grace their stage within a few years. So I give them credit for doing their best to introduce their audiences to new material, whatever my thoughts on the material itself. Looking ahead to the next...Read More
LOGAN — The musical The Hunchback of Notre Dame, with songs by the same team behind the 1996 Disney film, Alan Menken and Stephen Schwartz, first premiered in Berlin in 1999, where it enjoyed no little success. Note that this musical is not billed as “Disney’s” anything (as with Beauty and the Beast et al.), but rather is “based on the Victor Hugo novel and songs from the Disney film.” In addition to an expanded score by the movie’s songwriters, the German production even boasted a book by frequent Sondheim collaborator James Lapine. Though the book of the most...Read More
NEW #UtahTheatre review by @ATCA_Member @Russwarne for @HCTO’s ANNIE: https://t.co/gMYWto2OLA
“There are many reasons to make the trip to Tuacahn Amphitheater...If you can look past technical elements that seem out of place, there is plenty else to enjoy in this performance.” NEW #UtahTheatre review for @Tuacahn’s MATILDA: https://t.co/usICPANPy6
So excited to start rehearsals for WITH YOU by @MaxHuftalin with @CoC_squad tonight! Yay, theatre! #utahtheatre #gslfringe #newplay #sortashakespeare 🎭🥂🌈
I had WAY too much fun @HCTO's ANNIE. Check out my @UtahTheatreBlog rave review for this fun, optimistic production. #UtahTheatre https://t.co/Ryy8xw4JBD
#audition with @planbtheatreco’s ... OF COLOR - July 14! #utahtheatre
Audition Notice for ...OF COLOR - July 14 https://t.co/Mfzk2Wr5Sn
NEW #UtahTheatre review for @Tuacahn’s MATILDA: https://t.co/usICPANPy6
“The storytelling and character feel of this production will make you soon forget anything else exists. This cast and crew really make you “wish that the world is as lovely as it looks.” NEW #UtahTheatre review for @Tuacahn’s CINDERELLA: https://t.co/l5jhF7Nm23
#intermission at @HCTO's ANNIE. Believe it or not, this is my first time seeing this show on stage. #utahtheatre
I'm at @HCTO for ANNIE. Look for the review later on @UtahTheatreBlog! #utahtheatre
We have a full day! Page to Stage matinee at 1pm, staged reading of a new play at 4pm (free!) And page to stage closing 8! It's an original work feast! #utahtheatre #slctheatre #newplays
“If you are needing a good smile and a pick me up, go see YOU’RE A GOOD MAN, CHARLIE BROWN @CPT_Theatre.” NEW #UtahTheatre review by @ATCA_Member @marenali: https://t.co/VyoMtOGjJC
Today is jam packed! Page to Stage Matinee at 2 pm. New play reading at 4pm (free). Page to Stage closing at 8pm. It's an original work feast!
#utahtheatre #slctheatre #newplays #localwriters
NEW #UtahTheatre review for @Tuacahn’s CINDERELLA: https://t.co/l5jhF7Nm23
NEW #UtahTheatre review by @ATCA_Member @marenali for @CPT_Theatre’s YOU’RE A GOOD MAN, CHARLIE BROWN: https://t.co/VyoMtOGjJC
@CityWeekly knows what's up - CANDY & DOROTHY is #ESSENTIAL viewing!!
Pick up a copy now for more info on our limited engagement:)Tickets available online at https://t.co/e34K6TzEYC!!
$5 tickets for opening night. That's TONIGHT. Help us sell out!
#utahtheatre #cobbco #musicaltheatre
THEATRE THURSDAY 🎭
Update on #UtahTheatre shows that have opened in the last week:
•CINDERELLA & MATILDA @Tuacahn
•JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT @terracetheatre
•SHREK THE MUSICAL @SCERAupdate
•YOU’RE A GOOD MAN, CHARLIE BROWN @CPT_Theatre
CANDY & DOROTHY opens next week!! Thanks @CityWeekly
https://t.co/rAOS2vB2xh for tix:)
Essentials @CityWeekly A&E picks for June 14-20: @WasatchTheatre1 Page-to-Stage, JERSEY BOYS, @krischandlerese THIEF OF HAPPY ENDINGS and more. https://t.co/OUiBqmixzY
Theatre roundup! 🎭 Saw Machinal at @WestminiTheatre last weekend. So damn good. @KatelynLimber and company knocked it out of the park!
Tomorrow: Macbeth at @PinnacleActing, then Page to Stage on Friday at @WasatchTheatre1. I love this city! #UtahTheatre